Nevitt meets Eve Brinsley, a 17 year-old spitfire, who while astride her horse during a pig sticking hunt is seen whipping her black servants for their failure to corral the pig she managed to wound. Nevitt intervenes, rescuing the servant from the whip, receives a harsh reprimand from the teenager and is nearly whipped himself. This is followed in quick succession by a barroom brawl that lands Nevitt in jail, a jail break, and an attempt to smuggle Nevitt off the island before he causes any more trouble. While waiting for his jail break co-conspirators Nevitt learns that Eve has been abducted by the man who he assaulted in the bar. So Phil is off to save Eve from the bad guys. From corporate spying in the booze biz to western movie serial adventures. Where was the West Indian sorcery known as Obeah, I wondered?
The book is well past the middle mark before the Footner remembers that he intended to write a murder mystery. Eve having been rescued from the West Indian version of the guys with black hats is soon being married off to Randall Trantor, the distillery owner and the island's richest man. At the wedding banquet the newly married Trantor gets stupefyingly drunk, orders a special bottle of his private reserve of Spey Royal whiskey, tosses off his umpteenth drink, and immediately drops dead. There are cries of "Obeah! Obeah!" from the superstitious wedding guests for Trantor had earlier been seen stepping over a bad luck charm which signals imminent death. Eve is suspected of committing the crime as she is the one closest to her husband and the bottle was delivered straight from the cellar to their wedding table. The cellar was kept locked at all times and was only accessible with Trantor's key. The bottle could only have been poisoned by someone at the table. Or was it somehow bewitched via black magic?
Portrait of Hulbert Footner by painter Mabel Welch |
I know that I've read several detective novels with plots featuring white privilege in island populations be they in the South Pacific or Caribbean, but this is the only detective novel to date from the era spanning the 1920s through the 1940s I have encountered in which native culture and race relations play an important part in the solution of the crime. In fact race is the key to understanding the motive of the murderer who is striving to achieve a place of power on the island. He does so by exploiting the cultural superstitions of the population and at the same time playing up to the prejudices of the white policemen in charge of the murder investigation. He nearly eludes capture but for some luck and intuition on Phil's part.
As for the Obeah there is a sprinkling of lore and legend throughout the book. Interestingly, Footner casts in the role of the powerful sorcerer an elderly woman character and she becomes suspect number two in the murder. There is a bizarre and richly detailed scene towards the end of the book showing off how intimidating the magic of Obeah can be even to a skeptical outsider like Phil Nevitt.
It was only this spring that I became aware of Hulbert Footner, a lapse in my education that I blame on the sad fact that neither The Canadian Encyclopedia nor The Oxford Companion to Canadian Literature have entries. Ever since I've been wondering where to start. You've made a strong case for this book, John.
ReplyDeleteSince I rarely include author info in my posts here are some highlights about Hulbert Footner:
Delete--He was Canadian born but is thought of as an American writer since he lived most of his life in the U.S.
--He was very good friends with Christopher Morley I have recently learned. Morley appears as a character in The Mystery of the Folded Paper, also distinctive for being the first detective novel set in Hoboken, New Jersey.
--Footner had two series characters: Madame Rosika Storey, one of the first female private detectives in pulp fiction and Amos Lee Mappin who is in ...Folded Paper and several other novels.
--Footner was a frequent contributor to many pulp magazines, notably Argosy, All-Story Weekly and Detective Story where most of his novels were originally serialized. He also wrote hundreds of short stories.
The Obeah Murders shows its pulp fiction roots with so many genre influences (spy, western, adventure, supernatural, and detective). In the end, however, the race issue was the book's most surprising, and ultimately most crucial, aspect. More Footner reviews are coming later this summer.
Are you familiar with John Vandercook's 1936 mystery novel Murder in Fiji?
ReplyDeleteRace relations and native culture are integral to the plot, in which the colonials of the South Pacific island fear the natives are returning to the cannibalistic customs of the past. There are calls for punitive measures against the natives after a white colonial becomes one of the victims, because that's where they drew the line in those days, but Vandercook (an explorer) gives his reader a different picture of locals then the newspapers in the story.
Aha! There had to be an earlier mystery with a similar theme. I've not read any of Vandercook's mystery novels. I'll have to check him out soon. I know you reviewed that book at your blog a while ago.
DeleteCoachwhip is going to be reprinting some of his books, with cooperation of the estate. I reviewed one of his awhile back at Mysteryfile. Though it was no classic as a mystery, it was enjoyably written and kept me interested in reading Footner.
ReplyDeleteI have this book (though without that jacket!) and was certainly intrigued by the title. The review makes me want to read it. Nice pic of Footner too!
Fascinating John especially as I know nothign about Danish colonialism and thanks for the additional author info - love learnign about this kind of stuff.
ReplyDeleteCheers,
Sergio