Murder Mansion - Herman Landon

THE STORY: Donald Chadmore, newly released from prison for an assault charge has come to his uncle Theodore's home in order to protect him from a possible attack. He takes his uncle to the library at the ancient gloomy Chadmore home known to locals as "Mystery Mansion" and locks both of them inside.  The heavy door is bolted twice and locked from the inside. All windows are barred. There is no way anyone can get inside. And yet spectral music plays from the piano in the corner of the library and a shadowy figure emerges from the darkness. Uncle Theodore cries out to Donald. Donald fires his revolver at the shadowy figure. He goes to the divan where his uncle was sitting but it's empty.  Uncle Theodore is found behind the furniture piece on the floor. He's been shot. Not only shot but stabbed with an antique dirk that Donald had handled only a few hours ago and which was left in the hands of someone now locked upstairs in the attic. Who was the shadowy figure and how did it get in to kill Theodore Chadmore?

HIGHLIGHTS: Murder Mansion (1928) is another Herman Landon pulp extravaganza.  Think of any pulp magazine story trope and its bound to be in this novel.  Several beatings and fistfights, abduction, two locked rooms, a haunted house, a family curse, hidden jewels, strange legacies, disguise and masquerade, ventriloquism, a dying message, and a handful of gangsters all make their appearances in this story. The entire book is surprisingly well written (at times rather literary), cleverly plotted, and often laugh out loud funny.  Landon can't help but pile on the Gothic excesses and melodrama which tend to turn up the moody atmosphere to 11, 12 or even 13 too often. Still it's a helluva story, well told and teeming with fun characters, innovation, exciting incidents, and enough puzzling elements to keep any hardcore GAD fan glued to the pages.

THE CHARACTERS:  This book has a huge cast of characters but even some of the most minor characters have memorable moments. There are too many to list, including six mystery guests who turn up for a secret meeting with Theodore on the night of his murder. Below are the best of the cast.

Donald Chadmore - Our ostensible protagonist and an amateur sleuth of sorts. As the book continues he more of a victim of circumstance, chosen by the villains of the piece to take the fall for his uncle's death as well as being blamed for several other bizarre activities. His  dancing partner, both literal and figurative is...

Gloria Westcott - The Bright Young Thing of the book. A real Jazz Age girl complete with 1920s lingo to show off to her "big boy."  One wonders why she seems to turn up so often too coincidentally in the most unusual locations, but all will be explained later in the book Sh's an utter delight providing much of the lightheartedness to offset to the heavy handed strum and drang whenever the novel has Donald and Gloria exploring dark passages or dealing with yet another thunderstorm. I loved the Jazz era slang she slings around as easily as she does the foxtrot.

Samuel Peterkin - Valet who works at a luxury hotel, on loan to Donald for his stay and travels to Mystery Mansion to help him as not only valet, but personal assistant.  Peterkin can't help but offer up his talents as a detective and comes up with an ingenious idea to solve the locked room murder. He turns out to be the real sleuth of the book despite the presence of police, a D.A. and a private detective working for the prosecutor's office.

Milliken - Investigator for D.A. Mott. Won't have anything to do with ghosts or locked rooms. The whole crime gets his goat.  "It ain't natural!" he continually pronounces. He can't stand anyone who "blows froth" at him.  Some kind of 1920s slang, I gathered, for telling lies or making up stories (a running gag in the last third of the book). He has a few excellent scenes shoing off his detective skills and proves that the odd placement of Donald's fingerprints found on the dirk show that Donald could not have stabbed his uncle. Almost everything and everyone he encounters in this case is classified as "unnatural." Nevertheless, he's determined to find the real reasons for the murder and dismiss all the claptrap.

Mr. Amicus - A very dead character whose presence is always felt at Mystery Mansion.  Real name Jacob Hamilton Chadmore, he is Donald's great grandfather.  The story behind his self chosen moniker is too involved to explain here. But it is a bronze bust of the dead man and his promise to return from the grave on the anniversary of his death that keeps Theodore and his wife on their toes and often up late at night unable to sleep, especially every October 7, the night he died back in 1800 and something. The novel of course opens on October 7 and Theodore is killed on the anniversary night. Could it be a ghost that did him in?

Groody - A butler with a suitably weird name this servant to the Chadmore household is privy to several secrets that he won't reveal until the final chapter.  He's bit shifty but always answers Donald's questions honestly.  Trouble is Donald never asks the right questions.

"Doc Locks" - For a while I thought this exceptionally astute expert would turn out to be the detective.  BUt he has only one scene and then he's gone. He's someone that D.A. Mott has on his payroll whenever a "locked room" murder occurs.  Neither a physician nor a PhD scholar "Doc Locks" is a nickname given to him by the police and the prosecutor's office. We never know his real name. He is the Gideon Fell of this novel. No locked rook can stump him. Through careful examination of any murder scene deemed a locked room and using his knowledge of criminal tricks and clever illusions he finds any secret passages and all possible means of exit and always proves a locked room is never hermetically sealed. Until this one, that is. Before he tells everyone that it seems impossible for anyone to have entered the locked room tells a few interesting true crime anecdotes like the one about the 19th c. French murderer who managed to infiltrate a locked room with a blazing fire in the hearth by coming down the wide mouthed chimney wearing an asbestos suit and a helmet with built-in oxygen tank!

John Pagan - One of six guests who were to visit Theodore Chadmore on the night of his death. He arrives t dressed in white tie and tails, the only person in such formal attire. He has an unusually deep and theatrical voice that Donald recognizes as belonging to someone he heard plotting his uncle's death. That person calls himself Staglawn.  Much of the book involves characters trying to uncover the true identity of Staglawn. Pagan denies being the murder plot mastermind. He also has a hilarious running gag of sorts that takes the form of an aversion to certain vocabulary and vernacular.  When anyone uses these words he responds with outrage and satirical wit: "Candid? Abominable word! Just as if anyone could be candid in this world of sham and pretense and stupid amenities!" See the quotes section for a couple more of these amusing outbursts.

QUOTES: Gloria: "Secrets should only be told in the moonlight."

Donald: "What do you think, Milliken? Do I look like a murderer?"
Milliken: "You do.  All the murderers I've seen looked innocent."

Pagan: "Hunch? I detest that word. It's a lazy man's designation of an idea he is too indolent to think out clearly."

Pagan: "Kindness? That's another word I detest. What we call kindness is only inverted selfishness." 

"This will be a lesson to me," Don added. "I'll never again trust strange women."
"Poor Don!" Gloria gave a mock sigh. "Everything is a lesson to you, isn't it, Don? But you always forget."

Peterkin: "[Valeting is] the best education in the world. Keep a man waiting two minutes for his trousers before he's had his morning coffee, and you learn as much about human nature as it would take you two years to learn in any other way. To know human nature, you've got to study it in the raw, with the frills off. Sometimes I've found it awfully raw, sir." 

THINGS I LEARNED:  Mr. Amicus is a great devotee of Haydn and remarkably has learned several haunting themes from his opera The Devil on Two Sticks.  Prior to any Mr Amicus manifestation in the library the weird dissonant music from this opera plays on the piano.  I was intrigued by "dissonant" music from Haydn most of whose music I think of as bright and melodious.  Lo and behold!  It is true that he wrote the music for an opera titled Der Krumme Teufel (his first full opera written at the age of 19!) based on a 17th century French satirical novel by Alain-René Lesage. But how Mr. Amicus can play the music is the ultimate unsolved mystery of Murder Mansion.  According to all accounts I found online Haydn's opera is a lost work and though there are archival copies of the libretto no sheet music nor any recordings are known to exist. The only anecdote I could find connected to the actual composition was told in an 19th century collection of composer biographies. Here it is related that Hadyn and Josef von Kurz, his librettist collaborator, had a discussion on how to capture in music the sound of a thunderstorm.  Haydn could not come up with a suitable musical motif.  In frustration he slammed his hands on the keyboard and his companion exclaimed, "That's it!" Probably someone's vivid imagination at work. Landon certainly makes the music seem creepy in his lush descriptions. Don't know why he didn't use something more immediately recognizable like "Danse Macabre". I guess music that doesn't exist is easier to work with for a novelist; he can make it sound any way he wants it to sound. 

THE AUTHOR:  Herman Landon (1882-1960) was born in Stockholm and came to the United States with his family in 1895. At one time he worked as a journalist for the Washington Herald where he was feature writer and a managing editor. His primary fame, however, is as a pulp magazine short story writer and crime fiction novelist.  Throughout his fiction writing career lasting from 1907 to 1942 he wrote close to 200 short stories and 20 novels. He created several popular series characters for the pulp magazines among them The Gray Phantom (who may have been the inspiration for Batman), The Picaroon, Godfrey Usher, and Kingdon Cole. Some of his Picaroon stories were collected into book format and published in the UK only. Most of his stories were published in Street & Smith magazines with the majority of them (more than two thirds of his total output) appearing in Detective Story Magazine and Detective Fiction Weekly. His stories also appeared in 10 Story Book, The Blue Book, The Smart Set, The Corner Magazine. and The Popular Complete Stories. Some of his stories were adapted into silent movies.

EASY TO FIND?  Nearly impossible these days I'm sorry to report.  I found one copy available for an cheap price due to its poor condition. Looks beat to hell, but if you don't mind reading copies (I certainly don't when the book is extremely hard to find) then it's waiting for you. Two copies (maybe only one listed at two different sites) translated into French also turned up for sale. My copy in VG condition, pictured at top of this post, is also available for sale at my usual place. It's not as cheap as the other copy, but is priced well below $100, a fair price for an extremely hard to find book in much better condition than the bet up reading copy. 

The Case of the Missing Sandals - Nancy Barr Mavity

THE STORY:  James "Peter" Piper, bespectacled, lanky reporter "with an ugly face" working for the Herald somewhere in northern California, is allowed access to the murder scene at a religious cult's colony. The victim, the domineering cult leader who calls herself Luna, claimed to be a witch in league with Satan. She is found both stabbed and shot, her hands bound in a strange fashion with the cord taken from a green and red bathrobe. Even more peculiar is she is found barefoot.  Earlier the same day she was killed Piper had a brief interview with Luna related to an accusation of the theft of $10,000 from one of her followers, He had seen her striking black satin sandals and knows she would never be caught dead without them. And yet she was. What happened to the shoes?  And why was she both shot and stabbed?

THE CHARACTERS:  The first half of The Case of the Missing Sandals (1930) deals too heavily with Earl Vincent who wrote some love letters found on Luna's body. He is the prime suspect for the police and the fact that he fled California on a freighter further underscores his probable guilt.  Several chapters are devoted to finding Vincent. Piper and police pursue the freighter and try to intercept it with a tug boat but Captain Marquand refuses to stop for the tug radioing the police that they will have to wait for the freighter to pull into port in Los Angeles.  When the ship arrives and the crew depart they discover that Vincent has vanished from the ship.  After another protracted pursuit Piper tracks down the young man and forces him to tell an elaborate story that convinces Piper that the lovelorn boy, supposedly in love with the murdered cult leader, is innocent of the crime. The police, however, refuse to look further than Vincent.

Once Piper turns his attention on the Luna Colony, the book becomes interesting, less laden down with monologues and overwriting, and focuses on detective work. Piper uncovers multiple suspects each with their own peculiar motives. Among the more fascinating characters are:

Ruth Morgan - Earl Vincent's girlfriend who serves as a foil for Piper.  She is determined to clear her beau's name announcing she is willing to do anything to find the real murderer.  In a chapter well past the midpoint she and Piper engage in the requisite tabulation scene in which Piper reviews all suspects, their motives and opportunities while Ruth listens patiently sorting out the probable from the preposterous and often ending each summation with her verdict of "not proven."

Frances "Frank" Hodgson - of all the suspects Frank is the most unique.  She dresses in men's clothes, professes an obsessive love for Luna and is caught by Piper at the murder scene long after police have left searching for what she claims is a special perfume Luna used to make for her. Based on her frantic behavior and twitchy nerves Piper sees through her lies, immediately coaxes a confession from her. She is a drug addict looking for her fix. Turns out Luna was not only a cult leader but a drug dealer. The more we learn about Frank the more we discover that she is a lesbian. Mavity is never daring enough to come right out and use that term however, but couches it all in euphemism and baroque phrases: "But this woman was patently one of Nature's tragic misfits, a victim of the warping fate that had veered her life away from its normal channels." Mavity goes on to describe Piper's assessment of Frank's personality (who he insists on calling Frances though she prefers Frank) with great empathy and feeling. When he sees that Frank is using her left hand due to an injured right hand he starts to formulate a theory that she could have killed Luna. The murderer stabbed Luna in such a manner that reveals a left handed assailant. And still listening to her story and seeing how she left behind a vase of cut flowers for her crush Piper confesses he is "somewhat more sympathetic to the murderer than to the victim." It is a poignant sequence in the book -- one of many such sympathetic musings for a misfit suspect. Still as is often the case in early 20th century fiction Frank is yet another gay character painted as disturbed and doomed: "Just how far toward madness her jealous obsession might have carried her he could not guess."

Albert Jackson - the blind caretaker and gatekeeper at Luna Colony.  Jackson, a Black man, is no stereotype or comic figure, thankfully.  He has two dignified scenes of gravitas with Piper towards the end of the book during which he likens himself to Piper. Both manage to see the truth, he tells Piper, while others live in darkness. There are interesting contrasts between real faith and spirituality and the pursuit of false idols also mentioned in these scenes. Mavity manages to pull off these scenes with a sophisticated touch using simple language and metaphor, never resorting to heavy handed preaching. Albert is a finely drawn character, perhaps the wisest of all people Piper meets and interviews.

Charlie Russell - A young cult member sent to the Luna Colony by his mother to be cured of a so-called bewitchment she feels has cursed her boy. Piper knows this is all superstition for it is obvious that Charlie, in both physiognomy and behavior is mentally deficient. His facial feature are described in such a manner as to match those of children born with what was once called Down's syndrome, now known as trisomy 21. When some new details about the case are revealed Charlie becomes the new lead suspect in the eyes of the police.  Charlie's presence, yet another outlier in this myriad cast, allows for Piper once again to show his emotional side.

Carey - Apart from Mrs. Russell Carey is Charlie's only ally and protector.  Described by Piper as a colorless, bland man not much older than Charlie he is something of an enigma. He appears to be one of the "true believers" of the Luna Colony. Later he refers to himself as an occult researcher.

Oscar Miller - One of Luna's many lovers and the object of envy and jealousy among many of the male members of the Colony.  He is seen hiding something of great importance in the hole of a tree trunk.  Piper later retrieves this object and confronts Miller.  He also owns a rifle that matches the caliber of the bullet used.  In fact, many of the characters own rifles that could be the murder weapon.

Amos Perkins - a mystery man who hires Harrison, a hire-powered lawyer to represent Earl Vincent. A handwritten note is sent to Harrison asking that he prove Vincent is not guilty of the murder.  Enclosed with the note is $1000 in cash.

INNOVATIONS: When Mavity finally gets down to brass tacks after the Earl Vincent section is disposed of The Case of the Missing Sandals is truly an intriguing, complex and engrossing mystery novel.  Piper is very much in line with the many reporter sleuths of early 20th century detective fiction. Ostensibly passing himself off as a cynic he is, in fact, a humanitarian with an open mind and a skill at abstract, often wildly imaginative, thinking.  In the tabulation sequence Piper finally reveals to Ruth Morgan that he is convinced that the solution of the case lies not in factual analysis but to put oneself into the mindset of someone wholly devoted to the world of superstition. The murder is almost ritualistic what with the strangely colored cord used to bind the victim and the outrageous use of two murder methods to kill Luna. The placement of love letters on her breast after she was dead and -- most importantly -- the removal of her shoes both seem to underscore a kind of supernatural ritual, or a curse placed upon her. Ruth Morgan tries to accept  Piper's theory as a possibility but it all sounds too outlandish to her practical mind.

Of course, Piper is on the right track. For in the end it all really comes back to the title of the novel.  While perusing a non-fiction work called Witches Still Live -- an actual book by Theda Kenyon published in 1926 by Ives Washburn (see photo) -- Piper stumbles across the reason Luna's shoes were stolen. Armed with this arcane trivia and with the help of Andrews, his photographer colleague at the Herald, he sets a trap for the murderer in a well done, somewhat stunning, finale.

QUOTES: Piper: "The story isn't dead, even temporarily. [...] There are angles to it -- angles and angles. And while the other reporters are all enjoying the lull and concentrating on Vincent, I'll be out angling the angles -- a regular complete angler I'll be."

Piper: "When you try to figure [all these motives] together, its enough to make you dizzy. And as for proof-- say, if I saw one single little sold fact that didn't change its shape while I was looking at it, I'd faint from sheer amazement!" 

Jackson: "There's two kinds of darkness. There's them that walks in darkness because they can't see their way ahead, and there's them that have eyes and see not. It ain't your fault if it's still dark. You used your eyes as good as you could. That's how I know you're him that was sent. The spirit of darkness is on this place. The spirit of fear is on it. You can't see it, and you can't touch it, but you can feel it. Because you can feel the thing that can't be seen, you'll use your eyes to see when the light comes. That's why you were sent."

 Jackson: "Facts are dangerous things to throw around when you don't know the meaning of 'em."

THE AUTHOR:  Much to my surprise Nancy Barr Mavity (1890-1959) has an entire Wikipedia page devoted to her life and work as a journalist, novelist and author of non-fiction works.  I won't bother to repeat any of it here.  But I will draw your attention to her book Sister Aimee (1931) published one year after this novel was released by Doubleday Doran's Crime Club.  Sister Aimee was the first full biography on Aimee Semple McPherson and it's not too coincidental to draw comparison between that charismatic evangelist (possibly a criminal and fraud) to the power mad, exploitative and cruelly Satanic Luna who dies so horribly in this detective novel. Apparently many of Mavity's crime novels are based on true crime cases.  Further details on which cases inspired her novels can be found in an introduction written by Randal Brandt, research librarian and curator of a crime fiction library at UC/Berkeley, that appears in the Penzler American Mystery Classics reprint of The Tule Marsh Mystery, Mavity's debut novel as a detective fiction writer.

EASY TO FIND? Several copies of the US edition are  available for sale from a variety of online bookseller with prices ranging from  $14 for a reading copy to $48 for a VG copy.  There is one copy with a VG+ dust jacket priced at $425.  I found no UK editions for sale.  I did not look for copies in internet archives but there may be one out there. I have a copy of this book myself, but will not sell it as it is signed by the author and inscribed to her fellow California journalist Alma Whitaker. Took me a while to decipher the addressee’s last name, but that’s definitely the name. In the brief inscription Mavity calls Alma "Best of the Good Scouts", a term Piper also uses to describe his co-worker Andrews, the photographer. A photo of the smeared inscription is included in this post.