Showing posts with label Perry Mason. Show all posts
Showing posts with label Perry Mason. Show all posts

Saturday, January 9, 2021

REAL LIFE: The Case of the Autographed Corpse

Gardner dictating one of his
many Perry Mason novels

Much has been written about mystery writers and their involvement in real life crime cases. Arthur Conan Doyle used his skills as an amateur sleuth and ophthalmologist to help clear the name of George Edjali accused of mutilating horses and other farm animals. A nurse who after reading Agatha Christie’s The Pale Horse recognized the signs of thallium poisoning in that book and managed to get proper treatment for a misdiagnosed patient in time to save the patient’s life. But what of other mystery writers' adventures in real criminal cases? Who else might have turned detective in real life or had their books used to help solve a crime? An article in the recent Smithsonian magazine highlights Erle Stanley Gardner’s involvement in helping to resolve a case of a wrongfully accused and imprisoned Apache shaman.

Gardner never stopped practicing law and, in fact, spent much of his later life helping prisoners. This may have been mentioned in Gardner’s biography by Dorothy B. Hughes but I’ve never read it. Nevertheless it was fascinating to learn that Gardner was one of the first people to create a foundation that examined miscarriages of justice (The Court of Last Resort), reviewing cases of prisoners who wrote letters claiming innocence and of being wrongfully imprisoned. One such letter written in 1951 found its way to Gardner’s desk. The writer was Silas John Edwards, an Apache medicine man who had started his own religion. In 1933 he had been tried for the murder of his wife, was quickly found guilty on largely circumstantial evidence, and sent to prison. Gardner reviewed the court transcripts and interviewed others on the reservation where the murder took place. Many of those he interviewed were convinced of the Apache’s innocence. Some even claimed to know the name of the true killer. It was a piece of supposed evidence presented by the prosecution, however, that set Gardner off on his quest to save Edwards.

Silas John Edwards (left) and his father
©E.E. Guenther, from collection of
William Kessel as published in Smithsonian

Edward’s wife had been bludgeoned and strangled. Near her body were bloody rocks inscribed with the initials of the accused. Gardner found convincing physical evidence that was overlooked or paid little attention to during the trial like blood that was smeared on Edward's clothing rather than splattered which would have happened if he had actually bludgeoned his wife. But in a bold and outrageous move the Prosecution claimed that the initialed rocks were part of an Apache ritual. The D.A. told the court that an Apache murderer left initials at a crime scene to prevent the victim's soul from seeking vengeance. Gardner thought it a ludicrous claim, something not only counterintuitive but utterly lacking in common sense, and he had his surmise backed up by Apaches on the reservation. None of the Apaches he spoke with could corroborate such a fraudulent sounding ritual. Not one Indian had ever heard of such a practice neither in their own culture or in the odd religion that Edwards had created. Working with the court transcript and gathering witness testimony from Apaches who were never called to the stand back in 1933 Gardner worked tirelessly to prove the prosecution manipulated facts and in some cases invented them to get the conviction. There is a happy ending for Edwards even though he served almost all of his time in prison.

Rather than summarize the entire story which has more than its fair share of life’s irony and twists to rival any Perry Mason novel I point you to the full story as written by journalist Jack El-Hai. Luckily it’s one of the articles you can read in full at the online version of the December 2020 issue of Smithsonian magazine. It makes for eye opening reading.

Friday, May 29, 2015

FFB: TCOT Rolling Bones - Erle Stanley Gardner

If The Case of The Rolling Bones (1939) is any indication of how Gardner moved away from the rough and tough Perry Mason in the very first books to a Mason who is a combination of courtroom wizard and clever detective then sign me up for more! This was one heckuva improvement over the hardboiled Mason I first met several years ago in his debut, The Case of the Velvet Claws (1933) and the much later Mason of the late 1950s to early 1960s who liked to switch guns and play around with ballistic evidence that left my teenage head spinning in confusion. Granted there may be some dizzying plot twists in ...Rolling Bones having mostly to do with one character who has multiple aliases but for overall I liked this entry in Gardner's long running series very much. Unable to stop reading I whipped through the book in nearly a single day. That's a rarity for me.

It all starts rather innocently as Phyllis Leeds, Emily Milicant and Ned Barkler --all friends of Alden Leeds, a former gold prospector who struck it rich in Alaska back at the turn of the 20th century -- approach Perry Mason to help with what appears to be a blackmail scheme. A check for $20,000 made out to someone named L. C. Conway is specially endorsed by Leeds who insists that the money be handed over to a young woman who is not Conway. This odd incident is straightened out fairly quickly but Mason soon discovers that Conway's shady business of selling loaded playing dice has suddenly shut its doors, sold the business and skipped town.  Then Leeds writes another check for $15,000 to the same Conway and this time the money is handed over to a completely different woman. Mason demands to know what secrets in Leeds' past demand such large amounts of hush money to be doled out to two mystery women.  He learns of Leeds life as a prospector and the accidental death of his partner, an elaborate scheme involving masquerade, dual identities, and a corpse that has apparently come back to life. The case takes a nasty turn when L. C. Conway later turns up with a knife in his back and living under a different name. But the case is just beginning and the courtroom hearing to determine whether or not Leeds can be brought to trial for the murder of Conway will reveal even further complications.

This is an exciting novel in the Mason series for both reader and Gardner's series characters. Both Della Street and Paul Drake have key moments where they are directly involved in the case. Della saves Perry from being arrested for speeding and lying to police with the help of Gertie, the switchboard operator. This is Gertie's debut in the series, incidentally, and she marks a strong first appearance with the stunt she pulls in the office (on Della's orders) to distract the police. Later, Gertie shows her innate acting skills in a startling courtroom moment indicative of Mason's brazen legal trickery. Drake does a lot of nifty detective work both on his own and with the help of his private eye operatives based in Seattle and Alaska. He's got quite a lot of connections, gang. He also spends a lot of time chewing gum (did he ever do that in the TV show?) and slouching his lanky angular body in Mason's luxurious leather armchairs.

Gardner goes out of his way to paint interesting portraits of Mason's two most famous sidekicks. The characters as portrayed by the actors in the TV show are so staid and conservative and engrained in all of our minds. It's startling to discover how Gardner first envisioned them. Della is far more sexy and actively involved than Barbara Hale ever was. Paul is a lot more colorful than William Hopper's blandly handsome, not so imaginative hunk. Both of them are just as clever and slightly roguish as Mason. They make quite a formidable trio on the printed page and especially in this particular outing.

There may not be any gun switcheroos or bullets gone awry in the plot of The Case of the Rolling Bones but there is still enough to make the novel zing and swing. The story of Leeds' past in Alaska is never really cleared up until the final pages. We hear several different accounts of what happened, along the way some impersonations and aliases crop up that can at times be a bit confusing. It's one of those books where the list of characters that Pocket Books liked to print at the front of their paperback editions comes in very handy for reference. Nearly everyone is pretending to be or pretends to be someone else in this story. One character has four different identities making the courtroom scenes rather funny when the D.A. insists that everyone refer to that one person by one name. Since all the witnesses know him by three other names they keep correcting themselves until Mason and the judge have had enough of it. I think Mason even makes a joke about taking it easy on the courtroom reporter.

From a case of blackmail and check fraud to a con artist selling crooked gambling dice to the greed of gold prospectors back in the 1900s culminating in a violent murder in 1930s California The Case of the Rolling Bones is one of Perry Mason's most exciting cases. Gardner has really hit his stride with this book. Fast paced, tightly plotted with some darn clever twists, excellent set pieces featuring Della and Paul, the story ends with Gardner's trademark courtroom showdown complete with a breakdown on the witness stand. It's all here and then some. As Ned Barkler says punnily in the closing, "That's what I call a natural!"

*   *   *


Reading Challenge update: Golden Age card, space D2 - "book with lawyers or a courtroom"

Wednesday, April 4, 2012

Sign of Fear - August Derleth

With only a few quibbles I think Sign of Fear (1935) may be the best of the Judge Peck books. Derleth's series about the Wisconsin judge seemed extremely formulaic to me with his love of Gothic households, families ruled by stern matriarchs doing their best to keep in line the back biting relatives, and closets filled with a battalion of skeletons rattling all too loudly. Murder Stalks the Wakely Family, The Man on All Fours, and The Narracong Riddle all seem to be variations on a theme so overplayed that the last book in that list is a very close rewrite of the second. I was planning on reading the entire series but quickly tired of the repetition. Then I found the Sign of Fear – one of the rarest of the Judge Peck books – in a bookstore in Jackson, Mississippi and had to buy it. As I pored over the pages it became clear that here was a book that breaks away from Derleth's comfort zone and manages to put some truly original spins on his version of the fair play detective novel.

First, the matriarch is absent from the family. Instead we have two unmarried brothers and a female cousin making up Derleth's usual haunted family. Second, there is a mysterious murder method that is not made known until the halfway mark. Third, there is the anthropology background and some fascinating lore on ancient Peruvian superstition and religious symbols in South American culture. Finally, there is a bravura courtroom performance in which Judge Peck acts as defense attorney for one of the brothers who is accused of murder. It all makes for a highly enjoyable mystery.

Incan artifact (© F. D. Rasmussen) 
Christopher Jannichon, archaeologist, has been called back from Peru to his Wisconsin home by a series of strange postcards containing weird markings and ominous warnings. When he arrives at his home he finds similar markings drawn in the snow on the grounds of the Prairie estate and learns his brother Cornelius has also received similar anonymous postcards with odd symbols. The dominate symbol is described as "a cross topped with a cedilla" (though the illustration on the DJ shows a cross topped with a circumflex), known to both brothers through their extensive reading of Incan culture as the "God-help-us!" mark. It is clear to the Jannichons that someone is threatening them and they speculate it may have to do with Christopher's research in ancient Incan life. They consult with Judge Peck who is invited to stay the weekend when several relatives and friends are planning to visit the two Jannichon brothers. That night their cousin Edna suffers a mysterious fatal attack. She is found dead on the floor of her bedroom an expression of terror on her face. Beneath her body is a slip of paper with one of the "God-help-us!" symbols drawn in red ink. The threats have come true, but was Edna the intended victim?

The detection here is well done and, for the most part, follows all the tenets of fair play. Judge Peck learns that both Edna and Cornelius used a similar face powder (Cornelius has sensitive skin and used the powder as an aftershave emollient). On the night of the death Cornelius told his housekeeper the jar of powder in his room was not his and to put it back wherever it belonged. Judge Peck is sure that the powder found in Edna's room was the means of death somehow altered though no sign of poison is found during the post mortem. He is also certain that Cornelius was the intended victim since the powder was originally in his room. Then Christopher suffers a similar attack in which he has difficulty breathing and nearly asphyxiates. He is saved just in time. There seems to be a mad murderer in the Jannichon household armed with some mysterious means of causing death. The investigation will uncover a long lost relative, a convoluted inheritance, and a family history of respiratory ailments that are crucial to the solution of Edna's murder and several murder attempts of other characters.

Judge Peck does an admirable Perry Mason
imitation in Sign of Fear
As is the case in John Rhode's best books it is the painstaking detection, collaboration between medical experts, and Judge Peck's keen intuition that lead to the discovery of a truly diabolical murder method. In the gripping courtroom sequence that might have been lifted out of a Perry Mason novel Judge Peck calls forth witness after witness slowly building his case and making a startling revelation that brings a collective gasp to the entire courtroom. Though there are a few pieces of the overall puzzle that come as last minute revelations in the testimony of two witnesses I still laughed in amazement; Peck's solution makes for a stunning surprise.

If you want to read a Judge Peck book I suggest that you make this your number one pick. Most of the Judge Peck books are extremely scarce with Sign of Fear and Three Who Died being the most uncommon of the series. This book is nearly impossible to find and I count myself among the lucky to have found a copy. There is only the US hardback edition (Loring & Mussey, 1935) and not one paperback reprint in either the U.S. or the U.K. If you're lucky a copy may turn up in a library somewhere.


Judge Peck Detective Novels
Murder Stalks the Wakely Family (1934) (UK title: Death Stalks the Wakely Family)
The Man on All Fours (1934)
Three Who Died (1935)
Sign of Fear (1935)
Sentence Deferred (1939)
The Narracong Riddle (1940)
The Seven Who Waited (1943)
Mischief in the Lane (1944)
No Future for Luana (1945)
Fell Purpose (1953)
Death by Design (1953)