Showing posts with label Peter & Iris Duluth. Show all posts
Showing posts with label Peter & Iris Duluth. Show all posts

Sunday, September 7, 2025

Puzzle for Players - Patrick Quentin

THE STORY: Fresh out of his stay at a mental institution where he recuperated from alcoholism and psychological trauma related to his wife's death in a fire Peter Duluth has managed to score a hit play, an angel for financing that play and several veteran actors for his theatrical comeback as producer-director of the melodrama Troubled Waters.  But trouble starts early when the production is forced to move to an ancient, long dormant, and reputedly haunted theater. None of the cast is very happy about their new home.  Especially Lionel Comstock, playing a minor role in the play, who is paranoid about some horrible event that happened there years ago and fears the production may be headed for disaster. Peter dismisses it all as nonsense. After all, theater people are prone to silly superstitions. But when strange ghostly figures appear in a dressing room mirror, and rats infest the basement, it seems that the production may indeed be cursed. Comstock sees the dreaded figure he was worried about and drops dead. Just a heart attack or something more sinister? Then another actor turns up dead in a prop coffin. Peter believes that someone wants the production ended for good and will stop at nothing -- not even murder.

THE CHARACTERS:  Peter Duluth makes his second appearance in Puzzle for Players (1938) and is not much of a detective in this mystery novel. In fact, it is his "angel" Dr. Lenz who will prove to be quite an excellent sleuth. In addition to having helped Peter recover from his trauma in Puzzle for Fools (the first book) Lenz is now the primary financier for the production. His skills as a psychiatrist come in very handy when faced with a couple of puzzling illusions, a murder and attempted murder. Turns out that the novel is very much a psychological mystery and the behavior of several characters is explained in detail by Dr. Lenz over the course of the book. Strange phobias and an actor with an impressive memory for recalling faces from past encounters and are just two examples of "psychological clues" that will help the reader make sense of a rather complexly plotted story.

Being a theater mystery this story tends to be stuffed with melodramatic soap opera-like subplots. There are typical backstage crushes and quasi romances some of which turn out to be something completely different than Peter and the reader originally thought they were.  But the cast is sadly made up of hoary old theater clichés: an oddball stage door codger with a nostalgia issue grieving over his past life; a stage manager who is the miraculous Jack-of-all-trades with a specialty in trapping rats; a veteran actress with a drinking problem; young handsome Lothario as the drunk's protector; a foreign accented actor with dark and alluring looks, a scarred face from an airplane crash, and a secret; and another veteran diva who falls in love with her co-stars as easily as walking down a street. As much as I thought all of these people were stereotypes Webb and Wilson as "Patrick Quentin" do manage to pull off a couple of surprising twists, invert many of the stereotyped relationships, and come up with two well earned surprises in the finale

The best of the characters turn out to be Mirabelle Rue, the diva leading actress with a predilection for swigging from her brandy bottle during rehearsal breaks; her leading man Conrad Wessler, Austrian stage star with the deep, dark secret; and Wolfgang, Conrad's step-brother under Dr. Lenz' care at the Thespian Hospital. The story mainly revolves around these three and their relationship with each other and the other cast members.

Often Peter and Iris seem to be supporting players in their own story even though Peter narrates the book. He spends many pages mulling over his past and reminding us of the trauma of the fire and his wife's death and threatening to hit the bottle more than he does facing the consequences of two deaths in his cast.  Also, the mantra of "the show must go on" seems to infect everyone to the point that the entire company feels it necessary to withhold info from the police so that the play can open and be the success they know it will be. A bit too much even for a theater mystery. To these people the world of the stage is more important than the real world. It gets to be a bore. I only wanted to know who the villain was and why all the sabotage was inflicted on the production.

INNOVATIONS: While the subplots often are tiresome the oddities of the plot keep me engaged. The mystery of the ghost in the mirror is solved fairly quickly, proving to be both simple and utterly creepy when Dr. Lenz explains how the culprit uses the prank to trigger Conrad's fragile psyche and his continuing PTSD from the plane crash.

I especially enjoyed how Mirabelle's alcoholism turns out to be something utterly different primarily because the enabling of an alcoholic really bothered me even for a 1938 novel.  It's a given that heavy drinking seemed to be used way too often for comic effect in days gone by (I guess in some stupid sit-coms it still is) but I still have problems with that trope, especially people tolerating it and enabling the drinker. Webb & Wilson try to make Mirabelle a sympathetic figure who uses alcohol as a refuge but I was glad when it was all proven a sham, that she was seeking refuge in a bottle of something else for a problem that never occurred to me. Also, her relationship with Gerard has a twist in store as well. The Patrick Quentin mystery novels often has clever twists that come out of nowhere and transform something that seemed trite into a refreshingly original idea.

Another nifty plot element is the bizarre murder method used to dispatch a condescending blackmailer, an absolutely gruesome way to go and surely a contribution of Richard Wilson Webb, the lover of the macabre of this writing duo. Also worth mentioning -- Dr. Lenz prescribes acting as a therapy for his patient Wolfgang von Brandt as an ironic means to cure an identity crisis. While this seems radical or far-fetched when all is revealed in the finale (the supreme surprise of the novel) it turns out to be yet another bit of misdirection that I thoroughly enjoyed.

Ultimately, Dr. Lenz turns out to be the detective of the novel. In solving the mystery of the ghost in the mirror he explains why it was necessary to take place in the specific dressing room. He also spots two blackmailers with varying reasons for threatening cast members and the playwright, and in the final pages reveals the dangerous murderer hiding in the company. Peter does very little detecting and in fact Iris  proves herself better as a detective than Peter in this outing. Yet another surprise in the novel.

THINGS I LEARNED: For much of the book Iris continues to press Peter into marriage.  Whenever there is a break in rehearsal she prods him to run down to City Hall to get the license or to run off for the weekend to get hitched. After Peter is bonked on the head by one of the many villains in the story she finally decides to take matters into her own hands. She basically kidnaps him while he is unconscious and drives to Elkton, Maryland.

 

Why so far from New York?  Because as I learned after some fidgety Googling Elkton was the "Wedding Capital of the East Coast" for decades.  Over 10,000 marriages were performed on average each year during the 1910s and 1920s, less during the 1930s due to a change in state law.  For decades there was no waiting period after a marriage license was issued in Elkton and people would get married within hours.  But in 1938 -- oddly enough the year Puzzle for Players was published -- Maryland enacted a state law that enforced a 48 hour waiting period after a license was issued putting a quick end to the "quickie wedding."  To read about this town, that at one time had 20 wedding chapels on its Main Street, and the many celebrities who took advantage of the quickie wedding see this article in Time magazine from Feb 21, 2021.

EASY TO FIND?  A rare "Yes, indeed!" is the answer for a change, my friends. This book was reprinted multiple times in a variety of paperback editions from the 1940s all the way into the 1980s.  Nearly all those are priced well under $15 each. There are a handful of the US or UK hardcover editions as well. Obviously those will be more expensive.  A few collector's copies are out there as well with DJs and are the most expensive, of course. A digital version probably exists too.  But I never bother looking. Someone will most likely point it out in a comment below. Happy hunting!

Friday, July 22, 2016

FFB: Puzzle for Puppets - Patrick Quentin

THE STORY: Lt. Peter Duluth (soon to be senior grade) is on Navy leave in San Francisco. His wife Iris has flown in from Los Angeles where she is finishing up a small part in a movie. Peter's leave coincides with Iris' 26th birthday and they decide to make the most of their limited time together hoping for an amorous weekend where they do not plan to leave their bedroom. That is if they can find one. Hotels are booked up and they're not having much success finding a room. Iris is about to suggest that they stay with her cousin Eulalia Crawford when a vivacious and very loud woman named Mrs. Rose overhears Peter and Iris discussing their hotel room dilemma. Mrs. Rose graciously offers them her room. It seems Iris has touched Mrs. Rose's sentimental side. It also helps that Iris bears a striking resemblance to a woman she knows very well. The Duluths gratefully accept the hotel room, the staff make the registration switch and thus begins an adventure that will include multiple cases of mistaken identity, abounding coincidences, a murdered puppeteer, and some insanity at a circus.

CHARACTERS: Peter and Iris Duluth are one of the most believable married couples in mysterydom. Not only are they truly in love, they have an unabashedly frank way of talking about their attraction for each other. This is a married couple with a sex life that is talked about openly and wittily. They can't wait to get in bed and they can't seem to keep their hands off each other. The sex talk and their attitudes are never vulgar, nor does it descend into wink-wink-nudge-nudge cutesiness. It's just real and human. Iris becomes the center of their truly surreal adventure when she is mistaken for her look-alike cousin Eulalia and she can't help but indulge in her avocation of an amateur sleuth much to Peter's disappointment.

Peter also gets involved in an absurd incident at a Turkish bathhouse leaving him without his navy uniform and without a towel at one point. So we have not only frank talk about their sex lives but an R rated sequence with loads of naked men, including Peter, at the baths. There's even a two sentence bit about Peter being cruised by a young gay boy. This is not your typical WW2 era detective novel by a long shot. But then it was written by two of mysterydom's most famous gay writers. You're bound to get some traipsing into taboo territory with Richard Webb and Hugh Wheeler at the helm of your mystery novel.

The supporting cast is suitably fabulous. In addition to Mrs. Rose and her loud laugh and larger than life personality we have two private eyes one of whom helps Peter out of his predicament at the bathhouse. Later this private eye Hatch Williams along with his partner Bill Daggett help the Duluths get to the bottom of the multiple mysteries that begin with who stole Peter's navy uniform and leads to the bizarre stabbing murders of two women, and the identity of a lisping man, the solution to some enigmatic utterings from an inebriated criminologist, and tracking down the man who is running around San Francisco dressed in Lt Duluth's uniform and pretending to be him. Even the smallest walk-on part will turn out to be an important feature in this madcap plot that takes the Duluths on a wild chase throughout the city from the St. Anton Hotel to Eulalia's weird puppet workshop in her studio apartment, from a dive bar in Chinatown to the S.F. zoo, all of it culminating in a near fatal trap in the maze-like backstage corridors and basements of the Lawrence Arena.

Chinatown, San Francisco, circa mid 1940s

ATMOSPHERE: Here is one book published in 1944 that is very much about life during wartime. In addition to all the interesting business about navy officers and enlisted men and the rules they must follow even while on leave, Peter is very much concerned about getting his uniform back. For one thing it cost him $80 and should he be caught by some Navy V.I.P. out of uniform while on leave he'd be in a heck of a lot of trouble. Other references to the war include gas rationing, ration stamps, curfew, and my favorite -- the tattooed lady at the circus sideshow who has "Buy War Bonds" inked across her abdomen ("Surely no other artiste had risen to her country's emergency with such selfless nobility"). The Duluths get around town mostly by using public transportation, especially the trolleys, which allows for some interesting observations of everyday people

QUOTES:

"Happy birthday, baby"
"Nylons! Peter, how--how on earth did you get them?"
I kissed her ear. "By selling my body in the right places."

"Something about the room makes me shameless. I think it's the cupids' bare behinds."

"One of the toughest things in the world is explaining to a wife just how you can love her with every part of you and still be raring to get back into battle."

1940s era post card - Bank of America, Owl Drug & cable car turnaround on Powell St.

"I had forgotten what unkind variations age can play on the theme of the masculine form. [...] Men in bulk, without their clothes, lose all personal identity."

"My indignation which had been simmering so long seethed over when I looked down at the Beard snoring his head off on the bed--our bed. That was the ultimate insult."

"I just didn't care. It wasn't as if the mystery ever got nearer to being solved. [...] It was just a succession of doors, one door leading to another door leading to another door leading in an endless chain to the madhouse. Let them all kill each other. Let a howling mob string me up on the nearest lamppost as a mass murderer. I'm through."


THINGS I LEARNED: Adolph Sutro was a wealthy mining and real estate entrepreneur who helped develop several public works and supported the arts in San Francisco. He created Sutro Baths, a huge salt water swimming pool for public use that lasted nearly one hundred years. It was converted into an ice skating rink in the 1950s but was destroyed in a fire in 1966.

Navy officers and enlisted men are required to wear their uniform when in public while on leave. Peter brings with him two uniforms, his regular khaki one at the bathhouse and his "glamour uniform" he brought along especially for Iris' birthday celebration when they go out to eat and dance.

EASY TO FIND? Some good news for a change! There are multiple editions (US, UK and France) of Puzzle for Puppets, especially in paperback. Most of the Peter and Iris Duluth mysteries by Patrick Quentin were reprinted several times since their original publication back in the 1940s. I count at least five different paperback editions, the most recent being the 1989 IPL paperback. There are a few hardcover copies out there, both US and UK, and some with DJs, too.

This is truly one of the best of the Peter & Iris Duluth mysteries.  Excellent plot w/ lots of puzzling riddles, authentic WW2 background, colorful characters, loads of action, and a generous helping of weirdness -- a whole lot of fun.  Happy hunting!