Monday, March 31, 2025

Dragon's Cave - Clyde B Clason

THE STORY:  Jonas Wright, owner of an engraving business in Chicago, is found stabbed in a locked room where he housed his collection of medieval and historical weaponry. One of those weapons in his collection -- a halberd -- is apparently what did him in.  He is found with his neck severed and the halberd in a pool of blood nearby.  A dribble on a table in the middle of the room and one single droplet on the opposite side of the room are the only other traces of blood.  Shouldn't the room have been drenched in blood if Wright's neck had been severed?  Prof. Westborough is tagged by Lt. Mack to be a stenographer during the interrogations and to ask any questions he wishes., no matter two seemingly irrelevant. He is sure that the halberd is not the weapon. Before the detective team discover the correct murder means there will be more impossible events including the disappearance of a man from a second story locked room with no footprints in the snow outside his window.

THE CHARACTERS: The primary suspects are mostly confined to the Wright household with a few others associated with the family. They are:

Julian Carr- Sales Director at Wright Engraving who had returned from an amateur production of Romeo & Juliet. (BTW, the book's title is taken from a quote in the play which uses a cavern as a metaphor for a deceitful heart.) He was acting in it and played Mercutio. We find out he is adept at fencing and happened to be returning a rapier borrowed from Wright's collection used as a prop in the production. That's right, these Chicago yokels actually used a real sword in an amateur theater production.  (Ai yi yi!  What was Clason thinking?)

Madeleine Wright - she was with Julian when they entered the house and found her murdered father.  She was also in the play in the lead role of Juliet. Madeleine is one of these icy young socialites who turn up frequently in Golden Age detective fiction. Acting skill -- take note! She has murder suspect written all over her though with her dialogue and actions Clason tries to dissuade the reader against suspecting her. She's is not to be trusted, my friends.

Martin Wright - a pretentiously intellectual college student, the older of the two Wright sons. If it weren't enough that Prof. Westborough lectures us on the minutiae of medieval weaponry and how they were used we must endure Martin's mini lectures and allusions to great philosophers of the world. That's what he studying at Northwestern University. Schopenhauer is his current hero.  I was sure his ego and supercilious personality were going to implicate him in some fashion. At one point Martin pontificates on the uselessness of prisons and the failure of the prison system to rehabilitate.  He believes there are only two solutions to crime:  societal remedies that will prevent crime in the first place and psychological treatment.  For, as he tells Hilda and Ronald (see bleow), there are only two real causes of crime: environment and mental illness.

Wellington (Wel) Wright - the handsome hunk of a son, youngest in the family. Embittered because he is not rewarded with a high paying job in his father's firm. Impetuous, temperamental, brash and a bit naive. Drinks a lot. Was drunk the night of the murder -- or was it play acting? Had been at the home of his Gold Coast friend...

Tony Corveau - commercial artist and Lothario. Puts the make on Madeleine.  Oh aiwt there were once an item.  See despises him now.  Tony likes to draw naked women and his lush apartment is decorated with his many pen & ink sketches of many women he's met. Recently fired from Wright Engraving over some kind of abuse of company supplies. Wellington might also be involved.

Hilda - the Wrights' servant. She flees the house after it is learned that her son Ronald has recently been released from prison. Her escape is a desperate attempt to keep her son away and prevent him from being questioned by the police. She fails miserably.

Alan Boyle - Chicago newspaper reporter.  Intrusive, too wise, and very interested in Madeliene (aren't all these men?). Always seems to be at the Wright home at the right time (ha!). He is eventually enlisted as an aide by both Madeleine and later Westborough.

Hans Gross (1847-1915)
THINGS I LEARNED:  This is the earliest murder mystery I have ever encountered where blood spatter, bloodspill and blood patterns found in a crime scene are featured prominently in the action. Or actually in this case -- the lack of blood evidence.  Two experts' names in the field of blood evidence are invoked in Westborough's mini lecture: Jeserich and Gross.  Both were Germans.  Dr. Paul Jeserich according to his New York Times obituary published on Dec 10, 1927 was dubbed the "German Sherlock Holmes" and was known internationally for his work in "legal chemistry".  Hans Gross was a 19th century criminologist who authored a seminal book entitled Handbuch für Untersuchungsrichter als System der Kriminalistik (1893), literally Handbook for Investigating Judges as a System of Criminology, described in a professional journal article (Literature of Bloodstain Pattern Interpretation - MacDonell, 1992) as "an excellent reference for not only bloodstain patterns but almost everything else that may be considered within the field of criminalistics." Proving once again that Westborough (and of course Clason ) really knows his stuff.

Westborough and later Boyle, the reporter, both make an allusion to Mary Blandy when the police start to seriously suspect Madeleine as the killer.  Blandy I had never heard of.  Wikipedia tells us: "In 1751, she poisoned her father, Francis Blandy, with arsenic. She claimed that she thought the arsenic was a love potion that would make her father approve of her relationship with William Henry Cranstoun, an army officer and son of a Scottish nobleman."  Was she that well known that two characters would make allusions to her case?  Madeline Smith was more well known as a notorious poisoner. But why even mention poison since the victim was stabbed? I guess Clason wanted someone accused and tried for patricide to make his point. Still seems extremely arcane even for the 1930s.

Madeleine & Julian spy blood
leaking under the doorway. Note
that Julian has the rapier in hand.
UK edition (Heinemann, 1940)
INNOVATIONS: Despite some of my snide commentary above in describing the characters I rather enjoyed this one.  The impossible problems are cleverly carried out and the detection involved to explain those impossibilities is both sound and sensible.  The characters are forced into resorting to bizarre means to accomplish desperate acts because they are trapped in a house under constant guard by the police.  It's not a murder mystery where someone intentionally dreams up the crimes and miracle problems just to baffle police.  In this regard Clason was trying to make the locked room mystery more grounded in reality rather than making it a puzzle for its own sake.  So points to him!

While there is a somewhat sappy subplot of a love triangle (Julian-Madeleine-Alan) and Professor Westborough indulges a bit too often in esoteric tangents the plot is always engaging, the banter between Lt. Mack and the professor is always fun and amusing, and the imaginative "miracle problems" keep the reader on his toes trying to outguess the detectives and come up with the solution before the final chapter. Dragon's Cave (1939) has now displaced The Man from Tibet (1938) as my favorite in a rather uneven series of detective novels. I still have four more to read before I say whether this is the quintessential Clason mystery.

EASY TO FIND?  Wonderful news! Not at all scarce. Plenty of Rue Morgue Press reprint paperback copies out there. Amazingly, most of them are very cheap, well under $10 a copy. And, of course, there are several of the US first edition for those interested in owning the original Crime Club hardcover. Many of those are actually under $50 a copy. That's refreshing, ain't it?

9 comments:

  1. Thank you for creating this wonderful book blog. I too am fascinated by obscure and forgotten books in the crime genre and I was looking at the Edgar Awards the first Edgar for Best Novel was Beat Not the Bones by Charlotte Jay and I read a sample and it was very good. Ditto for Fabulous Clipjoint by Frederick Brown. Both authors are somewhat forgotten these days and that's a shame and so thank you for the work you do and this great website.

    ReplyDelete
    Replies
    1. I certainly haven't forgotten Brown or Jay and I think they are better known (especially Brown) than you may think. I have several books by both writers. I tend to write about utterly forgotten writers and their books tend to be extremely hard to find these days. Luckily Clyde Clason was reprinted by the sadly missed Rue Morgue Press. When they were in business they did a wonderful job of introducing forgotten writers to the mystery reading public.

      Thanks so much taking the time to comment and for the compliments. Much appreciated!

      Delete
  2. Coincidentally, Dragon's Cave was reprinted last month by Chosho Publishing. They also reprinted The Fifth Tumbler, The Man from Tibet, The Purple Parrot, Murder Gone Minoan and Green Shiver, but be warned, their editions have blank back covers and spines. So they're no bookshelf ornaments. But if they decide to reprint Clason's The Whispering Ear, I'll gladly take a copy of their hands.

    I remember liking Dragon's Cave and certainly ranks alongside The Man from Tibet and Poison Jasmine, but a reread is in order.

    ReplyDelete
    Replies
    1. Thanks for that news, TomCat! As you may remember I've owned a 1st edition (no DJ, sadly) of The Fifth Tumbler for over 20 years now. Until this week it was the only Clason mystery reviewed (back in Feb. 2011) on this blog. When I went to sell it on Biblio.com where I have about 45 "high end" books up for sale I discovered the paperback reprint. I was sort of pissed by that unfortunate news (from a used book selling POV, of course). Also have a copy of The Whispering Ear and apparently it's the only other copy out there. A bookseller in Germany has a copy too and it's up for sale right now. That's the first copy I've seen for sale since I bought mine back in 2010 or so.

      I'm very happy to see your name back in my comments. Glad to know you are one of the regulars who stuck around. You may be interested in this: I have a review of Strange Pictures by Uketsu coming up later tonight. Just finished it. I liked some of it, but found the many of characters and their actions to be straight out of a melodramatic soap opera.

      Delete
    2. I never stopped using your blog as a reference tool and linked back to your reviews many times during your hiatus. I'm just a lousy when it comes to posting comments, but always take note of what's being reviewed and recommended. I trusted you lot on Benjamin Stevenson over his publisher's marketing team. :)

      Delete
  3. I don't know how I missed the fact that you were back, when all the other regulars found you! I have just spent an enjoyable time catching up with your posts - it is splendid to be reading you again. (And the Susannah Shane Wedding Dress book really caught my eye, obviously.)
    Keep up the good work and I hope all the major life changes prove positive in the end...

    ReplyDelete
    Replies
    1. Thanks Moira! The retired life suits me well. Bookselling full time has been a dream of mine for over three decades and is rewarding on many levels. So far, so good!

      Delete
  4. I came to add an additional comment that it was you who introduced me to Susannah Shane (as with so many vintage titles) - The Lady in Lilac.

    ReplyDelete