QUOTES: Girls walking through the streets with fur-topped galoshes framing their pretty legs, dresses swirling in the wind, or wrapped against slim legs; people hurrying home from offices, leaning into the icy blasts that faced the canyonlike side streets; lights coming on, flickering diamonds that chased away the drabness of night. Taxi horns bleating. Newspaper boys huddled at street corners, flapping their arms, screaming, "Huxtra! Huxtra!" An ambulance yammering down the Avenue. People, weary people, pushing and cramming into subway kiosks like moles burrowing into the damp earth; others fresh and bright, just starting the day. [...] A man without a hat standing in the gutter, waiting quietly while his leashed dog sniffs an automobile tire. A taxi rushing by, its tires quietly making wet, sloppy sounds in the black slush. Mud splashing up. The dog owner cursing, "You louse!" Winter in Manhattan. People on an island. Millions of people. The pulse beat of a nation.
THINGS I LEARNED: The entire book is a fascinating study of the pulp magazine business and the life of a pulp writer. There is a lot of emphasis placed on the poor pay writers had to accept and the justifications that publishers gave for their "penny a word" or even "half a penny a word" pay scales. Only when a writer proved that his name on the cover would sell a magazine did the pay ever increase, but never by much. Saxon, we are told, was "prince of the pulps", one of the most popular and highest paid pulp writers at the top of his game. Then he just quit because there was no excitement in it for him anymore and "his stuff went stale." The background details also cover production, including the importance of the cover illustrations and the life of the much put upon artists; the intense rivalries between magazine publishers; and the surprising number of corporate informers who spy on the competitors for a price. Bogart drew on his personal experience in the pulp world and much of what is described in Hell on Friday actually took place when he was writing for the magazines.
|William Bogart (circa 1946), from the|
rear DJ panel of The Queen City Murder Case
EASY TO FIND? Hell on Friday in its original hardcover is a scarce book and even more scarce in the US digest paperback edition I own retitled Murder Man (1945). There are three different paperback reprints under the title Murder Man, a digest from Tech Books (US), Harlequin #57 (Canada) and Phantom Books #640 (Australia). None of Bogart's private eye novels were published in the UK. All three reprints are relatively scarce in the used book market, the last two being genuinely rare.
Johnny Saxon Private Eye Novels
Hell on Friday (1941) also as Murder Man (Tech Mystery, 1945); (Harlequin 57, 1950); (Phantom 640, 1955)
Murder Is Forgetful (1944) also as Johnny Saxon (Harlequin 114, 1951)
The Queen City Murder Case (1946)
Hell on Friday: The Johnny Saxon Trilogy (2010) All three of the above in one omnibus