The Charing Cross Mystery - J. S. Fletcher

Next to Edgar Wallace I believe J.S. Fletcher was the most prolific writer of detective novels and adventure thrillers in the earliest portion of the Golden Age of crime fiction. His strength was always in dreaming up multi-layered plots, populating them with large casts of characters who usually spoke in fair replications of British and foreign dialects, and keeping the reader's attention engaged with an explosion of action sequences. But like most genre writers who churned out story after story he suffered from a dire case of repetition.

With the exception of only a few of his thrillers which venture into the realm of science fiction and fantasy if you read one Fletcher novel you can usually predict what the rest of them will be like. A murder or two, a theft of a valuable piece of jewelry, a villain of the Napoleon of Crime variety, blackmail, a handsome and witty amateur sleuth (usually a lawyer or reporter), and a wily policeman who teams up with the amateur. Throw it all into blender, push a high button speed, and serve in a tall frosty glass with a some biscuits or scones.

The Charing Cross Mystery (1923) is less of a detective novel (though it tries very hard to be one) than it is one of Fletcher's rapidly paced pursuit thrillers. It begins in a subway train car headed for Charing Cross station. Superintendent Hannaford (Ret.) confides with James Granett that he has located a woman who escaped arrest for fraud eight years ago. Hannaford has cut out her picture from a newspaper article as proof and shows it to Granett. Shortly after this somewhat confidential talk -- overheard by our hero, a young barrister named Hetherwick -– Hannaford drops dead, the victim of some agonizingly fatal poison. Granett goes in search of a doctor but never returns. Hetherwick is left to explain to the police and a passing doctor what happened.

Intrigued by what he overheard Hetherwick is curious to uncover the identity of the woman in the photo and would like to find Hannaford's murderer. He joins forces with Inspector Matherfield and together they uncover a complex web of multiple crimes related to the fraudulent sale of a diamond necklace.

Soon it doesn’t matter who killed Hannaford and the other victims or really why they were killed. Fletcher is not satisfied with a murder or two in this story. He tosses into his potent crime fiction cocktail every crime one can think of: blackmail, extortion, theft, check fraud, and kidnapping. The kidnapping eventually becomes the focus of the story as Hetherwick, his law office aide, and a variety of policeman led by Matherfield try to locate the kidnap victim and put an end to the reign of terror begun by a duo of master criminals. In addition to this circus juggler's act of criminal activity Fletcher dares to throw into the ring the time worn detective novel cliché of mistaken identity related to twins!

The book is fairly typical of the crime fiction of the time. Nothing very original or surprising occurs though the supporting cast of characters comprised of a lively and colorful bunch provides for some entertaining moments and amusing dialogue. What makes the book slightly notable is the sheer inventiveness of the multi-dimensional plot and the fast pace with which Fletcher manages to churn out set piece after set piece. It would have made a fabulous movie serial during the silent era as the chapters tend to end with cliffhangers or melodramatic pronouncements. The US edition apparently was originally serialized as my copy published by G.P. Putnam & Sons states it is copyright by Consolidated Magazine Corporation, who published among other periodicals The Blue Book Magazine where Tarzan debuted.

The Charing Cross Mystery is now available as the inaugural volume in a series of vintage crime reprints published by Oleander Press. The imprint, dubbed "London Bound", plans to highlight long out of print books that have been recommended by a British bookseller and former judge for the CWA Gold Dagger Award. Here is how they describe the imprint:

LONDON BOUND – A series of classic crime novels, largely from the Golden Age of detective fiction, faithfully transcribed, re-set and reprinted by Oleander under the series name London Bound - owing, unsurprisingly, to their all being set in the nation's capital.

Each title will be released in a limited hardcover edition as well as affordable paperback editions. Other authors whose work will be reprinted include Henry Holt, William LeQueux, and the exceptionally rare detective novel Fatality in Fleet Street by Christopher St. John Sprigg. I was so excited about the Sprigg book I immediately pre-ordered it. That one is not out until June 2013.

UPDATE, JAN 2015: Oleander Press suspended operations of the "London Bound" imprint series sometime in the summer 2013. Only three titles ever saw the light of day: The Charing Cross Mystery, Fatality in Fleet Street and Doctor of Pimlico by William LeQueux. The planned releases of books by Henry Holt (still mentioned on their website) were abandoned.

LEFT INSIDE: Assurance Guaranteed from Prudential (circa 1936)

I was going to bend the rules this week for "Left Inside" and include something Joe and I found in a parking lot while on our weekend vacation in San Jose/Santa Cruz and the surrounding redwood forest state parks.  But when I came home and discovered I had seven packages of books waiting for me to be opened that plan changed.

In the very last package was a beautiful copy of a very scarce book -- The Mystery at Stowe by Vernon Loder -- soon to be reviewed here. Check out the condition of the dust wrapper seen at right. It's nearly flawless! Only one crease on the spine and tiny chip on the rear panel (not pictured). When I flipped through the stunningly white unstained pages I found the assurance offer card -- or insurance as we call it in North America -- pictured below. One of the few times I've found something inside a book I purchased via the internet. And so direct from a Toronto bookseller and Vernon Loder's debut mystery novel comes today's legitimate "Left Inside" object.

That's only nine pennies a day, by the way. I don't think they use pennies as a form of currency in the U.K. anymore. I don't even know why d. is used as an abbreviation for pennies. But my curiosity had to be satisfied so I went a-Googling. Here is the arcane reason taken from a website on the history of British currency.

A penny was expressed as the letter 'd' - an abbreviation for denarius which was a silver Roman coin.

Who knew? Probably some astute numismatist.

It appears the previous owner may have taken advantage of the offer since the attached coupon is no longer attached and the perforated edge (not easily seen in the photo) proves the coupon was torn off.

When I flipped over the card I learned that advertisement was intended as a bookmark!  Also, the owner of this book -- or the owner of the card -- had a shared interest of mine. He or she was very interested in old crime fiction. The list revealed titles that were originally published long before 1936 when this reprint of Loder's book was reissued. With a little bit of verifying the titles, authors and dates of publication I learned something about the reading tastes of the previous owner.

I am sure that The Secret is not that new age rip-off of Norman Vincent Peale's The Power of Positive Thinking that was all the rage about three or four years ago thanks mostly due to Oprah Winfrey's cultish book club. Instead, it is most likely a thriller by E. Phillips Oppenheim published in 1907 (known as The Great Secret in the US) but still available in reprint editions in the 1930s. The Secret Cargo (1913) is by the ridiculously prolific and inexplicably popular J. S. Fletcher, a writer whose work I find exceptionally formulaic and mediocre. The last title, after looking up possibilities in Hubin, turns out to be yet another Oppenheim book called The World's Great Snare (1896).

As for that third title: Sweet Life is not a crime novel nor thriller. The title does not appear in my most recent update of Hubin's Crime Fiction: A Comprehensive Bibliography.  I did however find Sweet Poison, Sweet Death, Sweet and Low, and of course Sweet Revenge, multiple times among many other sweet and deadly titles. Turns out the only book published between 1900 and 1936 with that title is by Kathlyn Rhodes. It was her debut novel according to some publicity by her publisher Hutchinson & Company:

Vivid descriptions of the entrancing scenery of the East, incident crowding upon incident, romantic situations, exciting intrigues, unexpected dénouements hold and absorb the interest from start to finish.

KATHLYN RHODES
is the assured success of 1918,
as GERTRUDE PAGE was the success of 1916
and MABEL BARNES-GRUNDY of 1917.

Fired with enthusiasm to win fame as a novelist, Kathlyn Rhodes began her career before her school days were ended. Sweet Life followed shortly afterwards; and the appreciation which this won encouraged the authoress to follow quickly with other stories. Choice of subject she holds to be of primary importance. With the war depressing us all around, she believes that many readers prefer stories that permit them for the time to forget it; and this she achieves by her delightful flights of fancy through the realms of many lands.

Interestingly, Rhodes is listed in Hubin as having written two crime novels in the 1930s and four other books with marginal crime content. I think, however, based on the title and the publicity above that Sweet Life is the only romance "Previous Owner" was looking forward to reading.