THE CHARACTERS: I got the feeling that the female half of the writing duo known as "Charles Forsyte" was in charge of this book. The story has both claustrophobic and heavily domestic atmosphere. We get a lot of catty gossip amongst the wives of the various under-secretaries, commissioners and typists working for H.E. (His Excellency, aka the Ambassador). First we meet Barbara "Ba" Hadley, brassy and opinionated wife with two rascally sons who spends much of the first chapter delivering the novel's exposition in a mix of off color humor and playful devotion to her husband Tom, Her Majesty's Consul in Ankara. They are preparing to go to a dinner party (one of several in the book) and can't get off the topic of Magda, another diplomat's wife who recently had a run-in with Tom about the size of her apartment and made outrageous demands to get a bigger place -- or else.
Magda, a foul tempered vicious women, is another one of those characters who has murder victim written all over her. She is a symbol of superficial sophistication, whose love of expensive clothes and her own self-importance colors her every thought and deed. When slighted she strikes back maliciously spreading rumors about infidelity, suggesting to artist Doune that her husband makes too many frequent visits to the Hadleys' apartment when Tom is never home. Is it any wonder that Magda is the first person to be found dead in her bathtub?
|Kocatepe Mosque, Anakara|
Other noteworthy people in the cast of Murder with Minarets (1968) include Paul Tranter, Magda's husband who has been acting too secretively of late; Francis Allardcye, Doune's vain and oversexed husband who claims to be a professional violinist but is only a big fish in a small pond relegated to teaching music classes at the Turkish Conservatoire; Laura O'Halloran who has "ear-witness" evidence on the night of second death that implicates a man and a woman; Gina who begrudgingly steps in as Jan's Archie Goodwin doing much of the dangerous legwork; and a couple of Turkish servants whose domestic activities the reader would do well to pay close attention.
INNOVATIONS: I'm a on a roll with digging up unusual detective novels with complicated or bizarre murder methods. The ingenious method of dispatching the victims in their bathtubs is reminiscent of the kind of thing Christianna Brand would dream up. It lacks the technical expertise of the gadgetry that is the hallmark of John Rhode, another murder means maven of the Golden Age, instead having has a very domestic handyman feel about it. Both Gina and Christopher manage to uncover clues that lead to the revelation of how the deaths were accomplished. Once again, this key moment happens during a cocktail party. Who knew that diplomats spent so much time throwing parties for each other?
Some of the best clue planting is done in casual conversation reminding me again of Brand and also Dorothy Bowers and Helen McCloy. It happens so often that every time I came across something seemingly throwaway and innocuous -- an ashtray being unnecessarily cleared away from a table to make way for the tea things -- I immediately wrote it down. Four of those statements proved to be genuine clues to discovering who the guilty party is. Gold stars for clue planting to Forsyte for this book! For a long time this didn't seem like a detective novel at all. In the end, however, Murder with Minarets proves to be a brilliantly constructed plot with quite a bit of misdirection.
THINGS I LEARNED: Loads of colorful Turkish locations, some insight into Turkish culture, satiric commentary on the indifferent 1960s era Turkish police all added to the enjoyment of this novel's exotic setting. A picnic that takes place in a seaside park with a view of a "Crusader's castle" (as Jan called it) was described so evocatively it made me long to see it in person. So I looked up images online and lingered over the photos of Crusader castles on Turkey's coastline. There's one above for you to enjoy.
EASY TO FIND? There are a handful of copies of Murder with Minarets offered for sale by online booksellers. The book, the last of the four mysteries by Philo & Galsworthy, was published only in the UK and had no paperback reprint that I know of. Copies of the "Cassel Crime" 1968 first edition show up as well as a 1990 reprint in large print from Ulverscroft. More copies of the large print edition can most likely be found in local libraries in the UK and US.