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Friday, May 18, 2018

FFB: The Cross of Frankenstein - Robert J. Myers

THE STORY: Victor Saville discovers he is the illegitimate son of the notorious Victor Frankenstein. He is approached by Frederick Greene, a visitor from Baltimore, to concoct a chemical formula drawn from the work of Victor's father. By accepting this unusual commission Victor puts into motion a fantastical scheme involving exhumation of the dead and subsequent reanimation for an unimaginable purpose. His adventure will take him to Scotland and then to America where he will confront the horrors of his father's legacy and try to put a stop to Greene's unspeakable plot.

THE CHARACTERS: Victor Saville is a fine replication of Shelley's original Victor Frankenstein. He is perhaps more moral than his father whose scientific experiments he abhors. He already knows of the dangerous and murderous character of the Monster his father created and who has survived these forty years since the original tale of Frankenstein published in 1818. Victor is accompanied in his adventures by Felicia McInnes, his aunt's ward, the daughter of an evangelical minister who died from cholera along with Felicia's mother. She begins as his confidante but soon he is falling in lust love, with her and will do anything to protect her. Felicia is kidnapped and falls into the clutches of a bizarre religious cult led by another evangelical minister, the half sane Reverend Ritter. Victor sets out to rescue her and avenge himself on Greene.

Greene, Ritter and Victor's former valet all turn out to be the rogues and villains of the piece much more than Frankenstein's Creature, or rather Monster (with a capital M) as Myers refers to him throughout the novel. All of them seem to be in thrall to the Monster who though he has also managed to make it to America has a part so small in the plot that he is almost relegated to a cameo. Myers' Monster is like a stand-in for an animated statue of Baal. He is treated as an idol, worshipped and looked to as a conduit for the salvation of dead souls through resurrection. But unbeknownst to the foolish cultists led by Rev. Ritter the Monster is wholly evil, bent only on desturciton and killing.

The bulk of the story takes place in Virginia and its environs with the climax set in a networks of caves where a bizarre religious cult have made their home. They are formed of true believers awaiting the resurrection of their beloved dead relatives. In one of the many labyrinthine caverns Green has set up a laboratory similar to Victor's father's lab. Unlike the sacred resurrection of Jesus Christ which most of the cultists believe will occur with their loved ones Greene has, unknown to the cultists, hacked to pieces and reconstructed in a parody of surgical procedures all of the dead just as Frankenstein did. Greene has hopes of creating an army of what he hopes will be a slave population to work the mines and lumber mills of the American South. But the essential ingredient to making these reanimations possible is the formula that Victor was entrusted to replicate. All depends on the manufacture of this artificial purple blood.

ATMOSPHERE: The story is rife with adventure set pieces from horseback and carriage chases in the mountains to pursuit by canoe on the whitewater rapids near Berkeley Springs, West Virginia. At times the book takes on the spirit of a James Fenimore Cooper novel and I expected Natty Bumppo to race out of the forests and come to Victor's aid at any minute. It is these sections where the writing is at its best, the excitement is genuine, and the reader waits with breath held awaiting what will happen next.

Sadly, the climax of the story takes an anachronistic detour into the land of sleazy sex. It was after all written and published in the 1970s when sex scenes seemed to be almost mandatory in popular fiction. When it happens in The Cross of Frankenstein (1975) the story ceases to be firmly rooted in the mid 19th century and reminds us of contemporary times. There is an absurdly graphic description of a blasphemous sexual ritual that ends in an orgiastic romp with the cultists coupling like mad rabbits in the caves. Felicia under the influence of Reverend Ritter's rhapsodic preaching allows herself to be ...how do I put this tastefully?... Oh heck, basically a zombie rape occurs. So it's not only a sex scene tainted by blasphemy with Reverend Ritter quoting Biblical passages, intoning about God's plan and all, but it is also a necrophilia scene. Doubly Gothic, eh? The sequence is just plain ridiculous especially when you note that much of the writing uses ill-chosen metaphors like "as a shank of lamb seeks the skewer" to describe the sexual activity. It's all unintentional hilarity. Maybe hysteria is a better word. The book takes on a decidedly salacious tone with Victor instantly transforming into a horndog obsessed with Felicia's naked body because (of course) she has managed to lose her clothes at this point and never bothers to cover up anything. I'm far from a prude, gang, but this was truly absurd and laughable and completely wrong for the book.

INNOVATIONS: Myers' attention to details in the life of Frankenstein are spot on. He clearly knows the book very well. The whole story begins as Shelley's Frankenstein begins with the introduction of Margaret Saville and talk of her correspondence with Captain Walcott. The entire first chapter in which Victor learns he is not her son, but was adopted and raised by her, soon becomes a miniature summary of Shelley's novel. Victor discovers his true parentage and of his unwanted inheritance, that he is the son of the infamous and immoral Frankenstein who dared to rival God as Creator. From the start, too, Myers has managed to capture the flavor of Shelley's 19th century prose and mostly manages to maintain the proper level of pastiche, until of course those sleazy sex scenes.

I liked especially the metaphor of slavery that pervades the novel setting up the sequel The Slave of Frankenstein (1976) in which Myers will more fully explore his idea of the reanimated dead as servants to mortal men. Frequently Myers has some pointed turns of phrase and sections where he discusses the difference between creating life and merely reanimating a corpse. While not heavy on philosophy or theology the inclusion of these passages gives the novel an extra heft that makes it more that just a potboiler thriller.

QUOTES: "Electricity and the fluid, then, were the essence of life. Not life -- animation. Life as I knew it had a spiritual and moral quality absent in the Monster. The hand of God touched not on this ghastly enterprise."

"Born without sin. Not the original sin, that is true. But I already knew that he was born from refuse, the offal of the charnel house, this soulless creature with no sense of right or wrong, a cleverness that passed for kindness to these simple folk, and cunning that knew no moral ends."

THE AUTHOR: Robert J. Myers had a rich life in Washington federal service and journalism. He began life as an Asian specialist in foreign service and was recruited during World War 2 by the OSS to work on a project to mobilize Koreans in the war against Japan. After the war he joined the CIA and continued assignments in Asia before becoming the station chief in Cambodia and deputy chief of the Far East division in the early 1960s. In 1965 he started a career in journalism. He founded Washingtonian magazine and later became publisher of the New Republic where he remained for more than a decade. In addition to the two novels based on Shelley's Frankenstein Myers also wrote The Tragedie of King Richard, the Second, a political satire and allegory in which Nixon becomes an avatar for the king.

EASY TO FIND? Very good news for this title. Close to 200 copies of The Cross Of Frankenstein are currently for sale in the used book markets on the vast shopping mall we call the internet. You have your choice of every available edition from the 1st US edition with its 19th century woodcut style DJ illustration to the paperback sporting Boris Karloff's iconic face of the Creature. Prices are very affordable based on what I saw, even the hardcovers with DJ are between $10 and $25 each. Happy hunting!

NOTE: The sequel to this first novel, The Slave of Frankenstein, will soon be written up as part on my ongoing "Frankenstein @ 200" series which so far includes posts on Frankenstein in Baghdad, Clay by David Almond and Monster by Dave Zeltserman.



7 comments:

  1. Based on your review, this certainly sounds like a book I will avoid, but then I've never had much interest in the Frankenstein mileu, book or film.

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    1. Though that one section lasts only seven pages I couldn't believe what I was reading. I toyed with quoting all those passages but it would've been in poor taste. Just quoting the "lamb shank" analogy was more than I thought palatable. You don't want to know about the two sentences telling us what Prince, the dog was sniffing at the end of that chapter.

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  2. I have a copy of this sat on shelf, it cost 50p some years back for an ex-library copy, I really must get round to reading it.

    Should I take the plunge?

    Wayne.

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  3. I wish the whole book had been the Monster and Felicia getting it on. That's the only part of the book I can remember without yawning. If you read what she says to Victor afterwards, pretty clear it's not rape. She knew very well what was going on, and was good with it. Realistic? It's a book about a giant monster made in a laboratory in the 18th century. Shelley was no realist, but she was a much better writer than Myers, which is underrating her.

    I mean, it's a pastiche. To talk about what's wrong for a book that is basically just using a famous out-of-copyright book to sell itself is silly. MIght as well complain that The Seven Percent Solution tells us Professor Moriarty was a paranoid fantasy dreamed up by a cocaine fiend. You know there's a sequel, right? That involves American slavery. Keep meaning to read that. PC can't rule everything, you know.

    (How many copies have those Fifty Shades books sold?

    Oh but that's DIFFERENT.)

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    1. Ok, point taken about my overharsh criticism for a mere seven pages. But the monster grabbed her and had his way with her. That’s rape. Who cares what Felicia said afterward? She also accused Victor of betrayal and changed her mind about her “feelings” for him three times over the span of five pages. She was a typical submissive female character in thrall to her male savior that you find on trashy 70s novels like this one. Fickle and loyal only to those who have spared her life — or whoever she happens to be standing next to at the time. In other words, a lot nitwit character.

      I guess I really should have written the post I wanted to instead of being self-censoring and pandering to a General conservative reading audience. I wanted to quote all those passages and make fun of them because they are utterly ridiculous. The dog sniffing her naked crotch? Give me a break! Maybe the sex scenes are not “wrong” (I meant that in the colloquial sense not the moral sense, BTW), but you have to admit it was moronic.

      I look forward to reading the sequel. I’ll probably treat the book as an alternative classic in the next post now that I know how Myers approaches his themes.

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  4. You had me laughing all the way thru, John--even at the comment contretemps. I'm often amazed at the sparks produced when humor and severity clash.

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    1. I guess my use of the word "blasphemy" made Chris think I'm some kind of sanctimonious stick-in-the-mud. Anyone who has read 90% of this blog knows that is not true about me. What can you do?

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